|
He later studied with several master Tombak players as Reza Ravanbakhsh and Kangarlo and others. He was always observing the different methods of playing Tombak and trying to learn the different techniques and rhythms. He even used to observe street entertainers and learn from them. In 1928, at the age of 26, he met Abolhasan Saba, this was start of a life long friendship. Ostad Tehrani said: apart from musical notation that I learnt from Khaleghi, I have learnt every practical and theoretical aspect of music from Saba. In 1940, at the creation of Tehran radio, he started working there with a group of musicians. In 1941, he started teaching at madrese aeli mosighi (advance music college). Later on, Tombak was removed from the list of instrument taught at this college. In 1949, Khaleghi started another music college called national music college. The responsibility of teaching Tombak at this college was give to Ostad Tehrani. While Teaching at these colleges, he collaborated with National Music Ensemble and National Music association.
Book Tombak Rudiment with Hoshang Zarif, Mostafa Kamalportorab, Farhad
Fakhrodini and revised by Hosain Dehlavi. Recordings Zarbahang
with Ostad Framarz Payvar. Side
A: Zarbe Pishdramad,zarbe Tasnifhaye irani, Do zarbi, Seh zarbi, Zarbe
locomotive, Zarbeh Diesel This is a Tombak recording to die for. Iran
Musique Persane with Ostad Jalil Shahnaz, Ostad Abdolvahhab Shahidi, Ostad
Asghar Bahari, Ostad faramarzh Payvar, Ostad Hosain Nahid. Side A: Dastgah mahur Side b: Dastgah segah This is Iranian music at it's best. Delnavaz with Ostad Framarz Payvar Side
A: Aboata Shahrnaz with Ostad Framarz Payvar Side A: Dashti Picture and biography are from Tombak Rudiment book |
|
Copyright (c) 2000 - 2001 Humekfield Limited, All rights reserved. |